Tara Aghdashloo is an Iran-born filmmaker, writer and multidisciplinary artist based between London and Toronto. With a background in journalism and literature, her body of work captures nuanced characters, examining the contradictory nature of human desire, disrupting established tropes. She works closely with actors and non-actors in developing each piece, while her visual arts practice informs her approach to cinematic storytelling.  Her films have been selected to compete at international festivals such as Edinburgh Short Film Festival, BlackStar Film Festival, Cinequest Film Festival, St. Louis International Film Festival, Aesthetica Short Film Festival, Reelworld Film Festival, Norwich Film Festival, and many more.

Born in Tehran, Iran, Tara emigrated to Toronto in her teens. She studied journalism at the Toronto Metropolitan University with a focus on political philosophy, and received her MA at SOAS, University of London with an interest in critical media theory and aesthetics of politics. Her articles and essays have been published in a range of newspapers and magazines, and her documentaries and reports appeared on Channel 4 and BBC World among others, covering art and culture, current affairs and issues related to the global majority. After pivoting to filmmaking, Tara wrote and directed her first narrative short, THE RIDE, which was was commissioned by BFI Network with the support of Canada Council of the Arts and Toronto Arts Council. It premiered at Cinequest Festival and has been screened in competition at many festivals internationally, winning Best Short Film at Nostalgia Festival. Her second narrative short, BRIDGE, was funded by BBC Talent Development, premiered at Norwich Film Festival and continues its journey with nominations for Best UK Short (Unrestricted Festival), Best Drama (Southport Festival), Best Cinematography (Mansfield Festival), and Best Original Score (Mansfield Festival). Tara’s third short, EMPTY YOUR POCKETS, was funded and supported by Canada Council of the ArtsOntario Arts Council, and NEXT UP: Intermission Short Film Fund, and produced by OPC productions and Intermission Film. It premiered at BlackStar Film Festival. She’s currently developing her debut narrative feature with Caspian Films, supported by Telefilm Canada and Ontario Creates. 

Tara was one of 12 participants selected in the Oscar Academy-backed Cine Qua Non Lab for script revision in Mexico in 2024 with her debut feature, and she’s also attending Reykjavik Talent Lab later this year. She’s an alumni of renowned director Mohsen Makhmalbaf’s filmmaking masterclass at the London Film Academy, and he remains as her mentor. She’s a member of Director’s UK and has served as a jury on various festivals and funding bodies including Canada Council of the Arts, and is a mentee with Film London.

Her writings have appeared in the Financial Times, Harvard Business Review, The Guardian, Real Life Magazine, The New Inquiry, TANK Magazine, The Lead, Ibraaz, Fashion Magazine, Art Rabbit, Adult Magazine among others, and her poetry collection THIS IS NOT A POMEGRANATE was published in Toronto. Alongside her artistic practice, she co-founded The Invisible Line Gallery (TIL) in East London, curating over 30 exhibitions as well as film programs and events. Tara’s a vocal intersectional feminist, dissident activist, and an advocate for human rights and matters around displacement. She speaks regularly about inclusivity and representation in film, participates on panels, and leads workshops.

In between filmmaking, Tara paints, writes poetry and art directs.

AGENT
Eva Bell // Sayle Screen
t. + 44 207 823 2883
e. eva@saylescreen.com

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